无间设计创始人、设计师吴滨应邀亮相法国巴黎时尚家居设计展Maison&Objet 三十周年纪念展，呈现其备受期待的艺术装置《游山记》。透过层层叠叠的纸上皴，“TECH EDEN科技伊甸园”的主题便增添了独特的艺术维度，更以东方视角探索了创新与传统相融合的可能性。随着2024 Maison&Objet 逐渐展开，《游山记》在各地设计师和艺术爱好者的关注下，成为创造力、可持续性，以及东方美学推动的象征。
Wu Bin made a stunning debut in Paris on the opening day, presenting his art installation that captivates the essence of the East. His presence at the exhibition adds a unique dimension to the "Tech Eden" theme,emphasizing the importance of integrating innovation with tradition. As Maison&Objet 2024 unfolds, Wu Bin's art installation stands as a symbol of creativity, sustainability, and a vision for a brighter future.
《游山记》，汲取自《早春图》的意境以及卷云皴技法，以纸构筑三维山水，以山水意境照拂空间中的拓扑学，消隐精神与现实空间的边界。建筑构件，穿插于意象的云山，传递东方美学的无常与永恒。光与实体交融，投映出东方的意象与人文记忆，赋形于无形，造物与自然之间的紧密连接被放大、追问。
《游山记》是吴滨对西方学界“深时DeepTime”概念的东方回应，以山水画中流动的时空及永恒存在的自然再定义地球历史中漫长且几乎难以想象的时间尺度，触发观者对人工造物与自然环境二者关系的深思，以及对未来时空的无限遐思。东方山水是“深时”的，也是超现实的，通过对山水的观照，身心的体验超越了视觉，物境化为造境，再融入心境，成为一次思考上的旅行。
"Travelogue on Mountain" by Wu Bin offers an Eastern perspective on Deep Time, redefining Earth's history through landscape art. It prompts reflections on the human-nature relationship and inspires contemplation of the future's temporal and spatial dimensions..
意象云山，云卷雾涌，自上而下地流泻，以纸构筑。纸，是承载着东方人生活实践与文化发展的重要媒介。无间设计透过对材料和工法的持续雕琢与研究，以当代形式演绎中国传统材料，使纸摆脱二维的桎梏，由文化载体走向立体空间，转译为深远的三维空间意象。冥思，寄情于此云山之间。而同时，纸可循环利用的优势，不仅是无间设计对科技、自然以及人居关系的审视，亦与本届
Maison&Objet 所提倡的可持续发展理念不谋而合。
Paper,as a vital medium, carries the evolution of East Asian culture. W.DESIGN modernizes this traditional Chinese element, liberating it from its two dimensional confines and transforming it into three-dimensional space. Wander within this realm, meditate, and capture the essence of traditional Chinese culture through a timeless journey amidst ethereal clouds and mountains. This sustainable approach aligns with Maison&Objet's ethos, reflecting a thoughtful blend of technology, nature, and human habitat relationships.
透过建筑构件，随着旋钮的转动，光与影徘徊交错，时间、空间、地点便在同一画面中交融难辨。在被隐匿的虚空深处，并非空无一物，而成为意象的云山，不下堂筵，坐穷泉壑。云，稍纵即逝；永恒若山，以柔软的云勾勒坚硬的峰峦，即是瞬间与永恒的碰撞与思考。以柔软的纸呈现磅礴的山体，轻与重之间对比与共融，光影幻化，即风拂云动。打破画面的沉寂，即朦胧的中国山水画，以小览大，欲窥人与自然的和谐共融。在人来人往的巴黎，无声胜有声。
In the interplay of light and shadow within architecture, art emerges in three dimensions, seamlessly blending time, space, and place. It unveils a profound artistic imagination. Within the concealed "blank," a mysterious presence shatters the silence. Through blurred aesthetics, it delves into the harmony between humanity and nature amid the bustling streets of Paris.
Crafted from carefully crumpled traditional Chinese paper covered in black ink to resemble clouds and the earth's entrails, these mountainous masses appear to defy gravity. Dark masses seem to both float in space and define it as the surrounding and containing element of their form. They are not physically connected but are united by the mind, acknowledging that the discontinuity of perceived elements is carried by the inevitable continuity linking everything, maintained by the encompassing cosmos.
吴滨先生接受法国国际广播电台等媒体采访
从左到右：
左一：Sandriver品牌创始人郭秀玲女士;
左三：官方合作媒体知了home主编刘朗先生；
右一：官方合作媒体独Sir家居创办人戴蓓女士
Wu Bin guides us on the path we must take to reach these mountains. As with traditional paintings, it is through the mind that we must access the landscape presented here, framed like an open chest containing the universe.
无间设计回望传统，从东方文化中汲取力量，回应未来。中国文化中人和自然互为关照，二者相望相化，借对本相的思考，山水的世界最终超越了现实，成为超验的存在。当时间悄然流逝，《游山记》最终消解为回忆，离而未去。《游山记》的完美呈现，兼合摩根智能在电子智能技术上不断的创新，以及他们对细节的坚持和赞助。最终，在凝视中造境，筑心中的山水，成为独属于东方人的精神远游，而后归于本真、驻于恒常。
W.DESIGN draws inspiration from Eastern culture, blending tradition with a forward-looking perspective. Flawlessly presents Travelogue on Mountain through MOORGEN's ongoing innovation and dedicated sponsorship. As time fades, “Travelogue on Mountain” transforms into cherished memories—a uniquely Eastern romance that endures and echoes through the ages.
设计总监&无间创始人
吴滨
策划：Bobo Zhou
撰文：Ricardo、华婷
排版：Ricardo
本文图文版权归W.DESIGN无间设计所有
未经授权，禁止转载
